“There’s the emcee, who weaves in and out of the story, frequently breaking the Fourth Wall a la a Shakespearean fool who serves as the narrator, and the play within a play device is good for a few laughs. Cameron Jordan as Lonny appears to have channeled Jack Black for inspiration, but he mines the role... especially in the we-didn’t-see-that-coming surprise reveal as he and Dennis sine REO Speedwagon’s I Can’t Fight This Feeling to a hilariously choreographed pas de duex.”

“Cameron Jordan, Costello to Cartland’s Abbott... And Cameron Jordan’s aforementioned Smee, a bright-eyed, bushy tailed star, brings the music, brings the laughter, and brings the one-liners like sniper shots.”

“The rest of the cast explodes with a mischievous and boundless enthusiasm of folks just having a great time themselves and inviting the audience into the fun:... Cameron Jordan whose tirelessly attentive Smee playing a ukulele while dressed as a siren...””

“The cast performs with exuberance, unflagging energy and plenty of volume. Those prone to falling asleep at the theater will have to nap elsewhere (hurrah!).”

“Cameron Jordan sings nicely as a Padre...”

“Also a standout on opening night was Cameron Jordan, filling in as Tom Sawyer for David Matthew Klein... Jordan learned Tom’s lines, his fast-paced and funny song “Hand for the Hog” and the characters choreography in a day, an impressive feat even if you remember his haunting work as the doomed Moritz in Slow Burn’s “Spring Awakening.” Like the Slow Burn Company itself, Jordan makes you remember and applaud what good theatre is all about.
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“Cameron Jordan is hilarious, and catchy in his “Arkansas” ”

“Already playing Ben Rogers, Hank and Young Fool, the kid who sings anode to his home state in “Arkansas”- added boisterous, scheming Tom to his assignments. Jordan sang, danced and performed as if he’d been rehearsing for days, not just a few hours.”

“There is joy to be found in Cameron Jordan’s Etches.”

“Along with the eighteen person choir, Fitzwater’s cast of ten “Congregants” is a burst of movement and auditory delight. Familiar faces from last season, Cameron Jordan, Stephanie Trull, Rick Pena, and Cristina Flores mix with newcomers to create an installed ensemble that rotates between Cassell’s gargoyles, Gypsies, soldiers, a voice of reason, and a voice of destruction. Their omnipresence balances the gorgeous cast into an efficient machine, a machine of unbelievable vocal strength and performance.”

“Cameron has been working in the anonymous chorus of several local shows and earned a few featured roles. But here he proves he has fine musical theatre chops worthy of bigger challenges. His woebegone Moritz is far funnier in the early scenes than his predecessors in the role, but his internal turmoil in later scenes and songs in the first act are more effective than in other editions.”

“He establishes a character that is trembling one step away from emotionally falling apart. We are drawn to watch him on his journey to its seemingly inevitable end. ”